VAN GOGH’S SHOES: HERMENEUTIC EXPERIENCE OF WORK OF ART

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NERMIN SALKIĆ

Abstract

 In thispaper Ianalyzetheconsequencesof Schapiro`scritiqueof Heidegger`s hermeneutic reflection on the essence of art. In his investigation of the origin of the shoes painted by van Gogh – this particular painting was used by Heidegger in his hermeneutic analysis and the establishment of hermeneutics (interpretation) as a legitimate approach to art – Schapiro concludes that Heidegger`s thesis is incorrect. In this paper I argue that Schapiro`s critique does not render obsolete Heidegger`s thesis on the essence of art, and that interpretation cannot be excluded from any speculative reflection. In the argumentation I follow both Heidegger`s philosophy and the contemporary research of neuroscience and the philosophy of mind.

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How to Cite
SALKIĆ, N. (2015). VAN GOGH’S SHOES: HERMENEUTIC EXPERIENCE OF WORK OF ART. Arhe, 11(22), 193–205. https://doi.org/10.19090/arhe.2014.22.193-205
Section
STUDIES AND INQUIRIES

References

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