DOI: https://doi.org/10.19090/arhe.23.40.

Published: 2024-04-03

ONE, ΤΟ ΠΑΝ AND GOD

ŽELJKO KALUĐEROVIĆ

11-32

DOI: https://doi.org/10.19090/arhe.2023.40.11-32
DOI: https://doi.org/10.19090/arhe.2023.40.33-49
DOI: https://doi.org/10.19090/arhe.2023.40.51-88
DOI: https://doi.org/10.19090/arhe.2023.40.89-106
DOI: https://doi.org/10.19090/arhe.2023.40.107-126
DOI: https://doi.org/10.19090/arhe.2023.40.127-152
DOI: https://doi.org/10.19090/arhe.2023.40.153-192
DOI: https://doi.org/10.19090/arhe.2023.40.193-219
DOI: https://doi.org/10.19090/arhe.2023.40.221-246
DOI: https://doi.org/10.19090/arhe.2023.40.247-276
DOI: https://doi.org/10.19090/arhe.2023.40.277-318

THE ROLE OF ART IN PLATO'S PAIDEIA

МИХАИЛО СТОЈАНОВИЋ

319-346

DOI: https://doi.org/10.19090/arhe.2023.40.319-346
DOI: https://doi.org/10.19090/arhe.2023.40.347-369