SCHELLING’S PHILOSOPHY OF ART

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Published: Jan 17, 2018
DOI: https://doi.org/10.19090/arhe.2017.27.53-76
Keywords:
aesthetics, art, German Idealism, philosophy of art, Schelling

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MARICA RAJKOVIĆ
Faculty of Philosophy, University of Novi Sad

Abstract

Schelling’s philosophy of art aspires to overcome the infinite hiatus and to reach reconciliation in the form of original identity of subjective and objective. According to him, not only that art can become the object of philosophical knowledge, but outside of philosophy nothing about art can be comprehended in an absolute manner. Schelling doesn’t develop aesthetics in the conventional sense, but rather philosophy of art - establishing an entirely new relation towards the problems of art, which, once accepted and philosophically thematized, can no longer be ignored in any form of philosophical systematics.

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How to Cite
RAJKOVIĆ, M. (2018). SCHELLING’S PHILOSOPHY OF ART. Arhe, 14(27), 53–76. https://doi.org/10.19090/arhe.2017.27.53-76
Issue
Vol. 14 No. 27 (2017): SCHELLING’S PHILOSOPHY
Section
TOPIC OF THE ISSUE

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