SOME REMARKS ON WALTER BENJAMIN’S SIGNIFICANCE

Main Article Content

NEMANJA MIĆIĆ

Abstract

One of Benjamin’s key notions is a well-known assertion about the death of the aura, which comes as a result of the possibility of the work of art to be reproduced. That also means that our experience is inevitably changing with the process of modernization. The main goal of this paper is to consider the actual worthiness of these notions, and Benjamin’s legacy as well. That significance, among others, lies in providing better and more proper understanding of contemporary artistic practices.

Article Details

How to Cite
MIĆIĆ, N. (2017). SOME REMARKS ON WALTER BENJAMIN’S SIGNIFICANCE. Arhe, 13(26), 159–168. https://doi.org/10.19090/arhe.2016.26.159-168
Section
TOPIC OF THE ISSUE

References

Benjamin, A., Osborne, P. (eds.), Walter Benjamin’s Philosophy – Destruction and Experience, Routledge, London and New York, 1994.

Benjamin, V., Mala istorija fotografije, u: Valter Benjamin, O fotografiji i umetnosti, Kulturni centar Beograda, Beograd, 2006.

Benjamin, V., O nekim motivima kod Bodlera, u: Valter Benjamin, Eseji, Nolit, Beograd, 1974., prev. M. Tabaković

Benjamin, W., Illuminations, Arendt, H. (ed.), Schocken Books, New York, 2007., prev. H. Zohn

Bolz, N., Aesthetics of Media – What Is the Cost of Keeping Benjamin Current?, u: Mapping Benjamin: The Work of Art in the Digital Age, Hans Ulrich Gumbrecht, Michael Marrinan (eds), Stanford University Press, Stanford, California, 2003.

Cadava, E., Words of light – Theses on the Photography of History, Princeton University Press, New Jersey, 1997.

Eiland, H., Jennings, M. W., Walter Benjamin, A Critical Life, The Belknap Press of Harvard University Press, Cambridge, Massachusetts, London, England, 2014.

Hansen, M. B., Benjamin’s Aura, Critical Inquiry 34 (Winter 2008)

Hennion, A., Latour, B., How to Make Mistakes on So Many Things at Once – and Become Famous for It, u: Mapping Benjamin: The Work of Art in the Digital Age, Hans Ulrich Gumbrecht, Michael Marrinan (eds), Stanford University Press, Stanford, California, 2003.

Richard, W., Walter Benjamin an Aesthetic of Redemption, University of California Press, 1994.

Siegert, B., There Are No Mass Media, u: Mapping Benjamin: The Work of Art in the Digital Age, Hans Ulrich Gumbrecht, Michael Marrinan (eds), Stanford University Press, Stanford, California, 2003.

Werber, N., Media Theory After Benjamin and Brecht: Neo-Marxist?, u: Mapping Benjamin: The Work of Art in the Digital Age, Hans Ulrich Gumbrecht, Michael Marrinan (eds), Stanford University Press, Stanford, California, 2003.

Wizisla, E., Walter Benjamin and Bertolt Brecht – The Story of a Friendship, Yale University Press, 2009.

Wohlfarth, I., No man’s land – On Walter Benjamin’s “Destructive Character”, The Johns Hopkins University Press, Diacritics, Vol. 8, No. 2 (Summer, 1978), pp. 47-65.

Wurgaft, B. A., The uses of Walter: Walter Benjamin and the counterfactual imagination, History and Theory 49 (October 2010), 361-383