ART AND CULTURAL INDUSTRY IN ADORNO’S PHILOSOPHY

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MILOŠ MILADINOV

Abstract

Adorno’s concepts of art and cultural industry will be discussed with regard to their role in the social totality. In the first chapter, the author analyzes Adorno’s approach to cultural phenomena and his criticism of the concept of culture as a unified whole. Then, the author draws attention to Adorno’s thesis on modern art as a place of negation of the social totality. Below is an analysis of Adorno’s definition of cultural industry as a pseudo-culture and pseudo-art. Finally, the author draws attention to the potential socially progressive implications in concept of cultural industry.

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How to Cite
MILADINOV, M. (2017). ART AND CULTURAL INDUSTRY IN ADORNO’S PHILOSOPHY. Arhe, 13(26), 169–178. https://doi.org/10.19090/arhe.2016.26.169-178
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References

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Adorno, T., Horkheimer, M., Dijalektika prosvetiteljstva, Veselin Masleša, Sarajevo, 1989.

Kinđić, Z., „Mimezis postvarenja: o Adornovom tumačenju strategije moderne umetnosti“ u: Filozofijai društvo 1/2006., Institut za filozofiju i društvenu teoriju, Beograd.

Novaković, M., „Preobražaj umetnosti i uloga tehničke reproduktivnosti. O nekim motivima u sporu između Benjamina i Adorna“, u: Arhe 20/2013, Filozofski fakultet, Odsek za filozofiju, Novi Sad.

Velimirović, T., „Kultura i/ili obmana“, u: Filozofija i društvo, 1/2008., Institut za filozofiju i društvenu teoriju, Beograd.

Wilson, R., Theodor Adorno, Routledge, New York, 2007.

Witkin, R., Adorno on Popular Culture, Routledge, New York, 2004.

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