WHO IS BARBAROGENIUS ACTUALLY?

Main Article Content

DRAGAN PROLE

Abstract

The article examines the artistic appearance of Ljubomir Micić, a professor of philosophy who unusually early leaves the scientific field for which he was educated and rejects the civil service. Micić's notion of barbarogenius was interpreted through the constitutive imbalance between national and international. The generality and supranational character of the New Man most often failed to amortize national particularity, and even less to offer a solution for all national difficulties and challenges. Contrary to common interpretations, the author argues in support of the thesis that Micić's concept of barbarogenius does not have any national cultural peculiarities. Therefore, there is nothing specifically Serbian or national about him that could be offered internationally, exchanged or made international. The reasons are found through a comparative reading of some ideas of romanticism in relation to the early avant-garde movements. Figures that Micić explicitly uses: heroism of spirit, goodness of heart, purity of soul, immediate humanity, are too formal and general, more at the level of ideals and programs than experience and reality. After all, each nation could attribute them to itself. All cultures cherish examples of kindness, self-sacrifice, extraordinary gestures of humanity with special care. Hence, barbarism is everyone's and no one's.

Article Details

How to Cite
PROLE, D. . (2023). WHO IS BARBAROGENIUS ACTUALLY?. Arhe, 19(37), 135–159. Retrieved from https://arhe.ff.uns.ac.rs/index.php/arhe/article/view/2384
Section

References

Aleksić, Dragan (1921) „Dadaizam“, Zenit 1921/3, Zagreb.

Aleksić, Dragan (1978) Dada tank, Nolit, Beograd, prir. G. Tešić.

Ball, Hugo (1927) Die Flucht aus der Zeit, DunckerHumblot, München/Leipzig.

Blanchot, Maurice (1969) „L’ Atheneum“, L’Entretien infini, Gallimard, Paris.

Fuhrmann, Manfred (2000) Der europäische Bildungskanon des bürgerlichen Zeitalters, Insel Verlag, Frankfurt am/Main/Leipzig.

Goldsworthy, Vesna (1998) Inventing Ruritania. The Imperialism of the Imagination, Yale University Press, New Haven/London.

Golubić, Vidosava/Subotić, Irina (2008) Zenit 1921-26, NBS/Institut za književnost i umetnosti/SKD Prosvijeta, Zagreb/Beograd.

Grdan, Lada (2010) Zenit i simultanizam, Službeni glasnik, Beograd.

Ilić, Saša (2021) „Ljubav i smrt posle avangarde“, Anuška Micić/Ljubomir Micić, Strašna komedija. Prepiska 1920-1960. Narodna biblioteka Srbije, Beograd, prir. S. Ilić/D. Peruničić.

Konstantinović, Radomir (1969) „Ko je barbarogenije“, Treći program, proleće, Beograd.

Kriener, Thurit/Rovagnoti, Gabriella (2005) Dionysische Perspektiven. Gerhart Hauptmanns Novelle „Der Ketzer von Soana“ und sein Brifwechsel mit Rudolf Panwitz, Erich Schmidt, Berlin.

Marc, Franz (2011) „Die Wilden Deutschlands“ (1912), Der Blaue Reiter. Eine Geschichte in Dokumenten, Reclam, Stuttgart, Hg. A. Hüncke.

Marinetti, Filippo Tommaso (1980) Le futurisme, L’Aged’Homme, Milano/Lausanne.

Markuš, Zoran (2003) Zenitizam, Signature, Beograd 2003.

Micić, Ljubomir/Goll, Ivan/Tokin, Boško (1921) Manifest zenitizma, Biblioteka Zenit, Zagreb.

Micić, Ljubomir (1921) „Duh zenitizma“, Zenit, Zagreb 1921/7.

Micić, Ljubomir (1921) „Čovek + život“, Zenit, Zagreb, 1921/10.

Micić, Ljubomir (1991) Zenitizam, Dom/Narodni muzej, Beograd.

Micić, Ljubomir (1993) Barbarogenije decivilizator, Filip Višnjić, Beograd, prev. R. Jovanović.

Micić, Anuška/Micić, Ljubomir (2021) Strašna komedija. Prepiska 1920-1960, Narodna biblioteka Srbije, Beograd, prir. S. Ilić/D. Peruničić.

Mondrian, Piet (1987) „Neo Plasticism“ (1923), The New Art – the New Life, The Collected Wrtitings, Thames and Hudson, London, ed. and trans. by H. Holtzman/M. S. James.

Niče, Fridrih (2008) Pisma majci. Izbor iz perioda 1850-1888, Filip Višnjić, Beograd, prev. J. Burojević.

Prole, Dragan (2018) Jednakost nejednakog. Fenomenologija i rane avangarde, IKZS, Sremski Karlovci/Novi Sad.

Schlegel, Friedrich (1980) Literarische Notizen 1797-1801, Ullstein Materialien, Frankfurt am/Main/Berlin.

Subotić, Irina (2000) Od avangarde do Arkadije, CLIO, Beograd.

Tešić, Gojko(2009) Srpska književna avangarda (1902-1934), Službeni glasnik, Beograd.

Tokin, Boško (1921) Manifest zenitizma, Biblioteka Zenit, Zagreb.

Wienand, Kea (2015) Nach dem Primitivismus? Künstlerische Verhandlungen kultureller Differenz in der Bundesrepublik Deutschland 1960-1990, Transcript, Bielefeld.

Most read articles by the same author(s)

1 2 3 > >>